Caroline de Megre how to be a Parisian. Anna birch, audrey sofa, caroline de megre, sophie mas how to feel like a Parisian, whoever you are

The Parisian style is a subject of study, admiration and imitation by several generations of women around the world. And contrary to the dusty book quotes and sayings, there are a number of names that clearly illustrate the reality of this phrase: Karin Roitfeld, Charlotte Gensburg, Emmanuelle Alt. All of them are iconic representatives of this style direction. But the heroine of today, I chose the not entirely trivial Caroline de Maigret.

It is not trivial because France on the international arena of style is known for louder and grotesque names like the aforementioned Roitfeld and Ines de la Fressange. I am not belittling their merits and stylistic vein, but Carolyn looks a little fresh against their background and is not so beaten due to her atmosphere, which is different from the rest. Little is known about her, but with her quotes and images, she attracts attention, including in her book How to Feel Like a Parisian, Whoever You Are. Love, style, lifestyle. " So, Carolyn started working as a model in the 80s, later, together with her husband, she started producing in the music industry, and for the last couple of years she has been the favorite of street-style photographers and the one whom the glossy press often describes as "IT-girl".

But unlike Poppy Delevingne and Miroslava, Duma de Maigret is not a "fashion ambassador". She prefers catchy bags and clutches, but her clothes are laconic like no one else's. Her wardrobe staples are classic biker jackets, cotton vests and cashmere turtlenecks, high-waisted trousers with no obvious skinny silhouette, and a collection of Chanel handbags. No ultra-bright combinations and no central images from the main shows of the season. The predominance of basic (and someone will call them boring) colors: black, white, gray, khaki, navy blue, camel and a little pink. Complete rejection of complex and intricate prints or patterns on fabric and asymmetry. "What is remarkable about this?" - you ask. "An interesting game of texture" - I will answer you.

In the case of Carolyn, it is the texture that determines the character of the whole image. She combines suede boots with heels with flowing satin blouses and pleated leather skirts below the knee. The mens shirts in her performance are dressed with coarse woolen trousers without arrows and very soft long cashmere coats. At first glance, almost every fifth person dresses like this, and not only in France. And if you think the same, then you are very much mistaken. Despite her extreme fundamentalism and the sheer simplicity of her one-piece garments, even normcore devotees cannot look the same. Firstly, almost all images consist of one, at most two layers. Layering is not about French women. Almost complete lack of jewelry. Gold fittings on Chanel jackets, silk bows on blouses, or embroidery on Isabel Marant parka are the maximum allowed. The main focus is the bag. Chicken yellow on white, poisonous green on black, red on dark blue, and even gray on gray. The obvious color delusion is more than paid off by the non-trivial distribution of these very colors and their not always obvious variations.

Carolyn can be safely called a trendsetter. She, like no one else, feels the form and understands in which direction modern fashion is moving. We wear the same shirts, jackets, jackets and trousers. But fashion is precisely the silhouette and features of the cut. Two things that at any time determined what was fashionable and what was not. They, in turn, cannot be appreciated in the abundance of colors and designs presented on the modern market. That is why the style of the Parisian woman is so highly appreciated. France remains the main trend and trend apologist for the whole world.

If we touch upon more formal and solemn exits, then the same principle works here. The image becomes more brilliant, and in the literal sense, and textured. The peculiarities of tailoring the dress will make it very interesting and really beautiful, without resorting to meters of tulle and finishing with bugles. But, by the way, even the red carpet for Caroline de Maigret is not a reason to buy a new dress. Still, trousers are at the heart of every outlet. And the more formal the dress code, the wider the leg. When talking about jewelry on the red carpet, she again shows almost total rejection. What are they for, if a perfectly fitted suit and a radiant smile can become the main decoration?

In general, the Parisian style, despite the huge amount of literature, films and recognized style icons, remains one of the most mysterious phenomena in fashion. Does mentality and citizenship play a role here? Or maybe we find it hard to believe that all genius lies in simplicity? This is partly true. Designers spoil us with new collections from two to four times a year, women of fashion do not have time to change their dresses, and for the majority the synonym for the word “style” still goes hand in hand with the most resounding labels. Against this background, the aesthetics and ideology of quality, fit and general comfort does not fade away, it is lost. People either simply do not understand the total simplicity of the image, or do not take it seriously. Calling the same Caroline de Maigret trendy is impossible. It also does not fall under the ideology of small-caliber currents. Despite all of the above, she stands out. That is why the style of the Parisian woman is considered to be something transitional between fantasy and untimely bygone reality.

Model, music producer, street style star, DJ, writer - the list of achievements of 42-year-old Parisian Caroline de Maigret is growing every day. She is an embodiment, and her impeccable style is built on three pillars: elegant simplicity, comfort and personality. Whether she’s wearing white pants with a blazer, or wearing boots with a leather jacket and tousled hair, Carolyn always looks magnifique.

Pantsuit

It-girl knows a thousand and one ways to combine trousers and jackets. To look a little is Parisian style.

This season, a trouser suit from the category of a boring office set has moved into the category of universal and fashionable clothes: for a date, for work, and for a party. Take an example from Carolyn and wear a clerk's uniform when you are too lazy to come up with something complicated, but you want to look good. Wear classic cigarette trousers or wide leg long trousers with a long jacket reminiscent of the 1980s men's jacket.

Between stilettos and flat boots, the French woman chooses the latter. Carolyn primarily values ​​simplicity and comfort, so massive boots or sneakers are her constant companions. The Oxfords and Brogues collections can be found at Officine Creative and Cesare Paciotti, and stylish low-heeled boots at Halmanera.

Oversize

Oversized coats, jackets, shirts and trousers are the main components of Caroline de Maigret's style. The Frenchwoman harmoniously combines oversized things: a slender figure is not emphasized, but also not hidden behind baggy things. The secret to the balance is simple: the mid or high waist of the trousers will accentuate the waist, while a small neckline or V-neck draws out the silhouette.

The only thing that her love of oversize does not extend is the bags. She will prefer clutches and small bags on chains, like those of Michael Kors and Kenzo, to the fashionable trunks this season - it will not be difficult to fit her favorite red lipstick and a mirror in them.

Black

One of the rules of French women says: if you don't know what to wear, put on black. This color suits everyone, regardless of color type, shape and age. According to de Maigret herself, black "sharpens contours and compensates for bad taste."

The Parisian combines “soldier's” leather lace-up boots like that of Giovanni Fabiani with jeans and a leather jacket or with a long black dress. The Desigual bag will dilute the monochrome set.

For classic looks with tight trousers and blouses, Carolyn selects shoes and sandals with block heels or small stiletto heels. The exception was boots with a gathered bootleg: the Parisian wore them with a midi-length skirt long before it became a trend. For such insight and sensitivity to trends, we love her.

“No, Parisian women do not have a special genome of harmony, they are not always agreeable, and, of course, they are not ideal mothers. On the contrary, they are imperfect, stupid, inaccurate and treacherous "

I love French cinema and literature, there is some kind of special airy atmosphere in them, there is charm and charm that I always like, so when I saw this book I could not pass it by, although I cannot be called a lover of this kind of literature. It is worth starting with the fact that the book is beautifully designed, contains colorful illustrations that perfectly convey the spirit of Paris, and, of course, the topic presented in the book is quite interesting, because no woman attracts attention like a Frenchwoman. It always seems that they have a special chic, a way of life and thought that is different from others. They are stylish, feminine, graceful, mysterious.

Four friends decided to open the veil of secrecy and demonstrate to the readers life through the eyes of a Parisian woman, thanks to this book we can look into her thoughts. But the book should be called differently. The ideal title would be How to Become Parisians Like Us, or the Parisian Life of Caroline de Maigret, Anne Berest, Audrey Divan and Sophie Mas. The feeling that they are only describing their life. But, even here I can be inaccurate, maybe all Parisians really act and think as described in the book, the only ones who can confirm or deny this are the Parisians themselves. But the image turned out to be too clichéd and sometimes exaggerated. After reading the book, you will not feel like a Parisian, but you can have a pleasant evening and feel the Parisian life.

In the book you will not find any advice or useful information, I agreed with some of the authors' thoughts, others were incomprehensible to me. I think many girls, reading, in some moments can recognize themselves, which proves that we are all a little Parisian. But, to be honest, the lifestyle of the Parisian woman seemed to me to be a continuous theatrical performance. I do not think that all Parisian women act and think according to the principle described by the authors. I believe that the character and behavior of a girl does not depend on nationality, although the customs and traditions of your nationality are still deposited in our upbringing and worldview. All girls are different, each is unique in its own way. And the authors of the book are trying to prove that a French woman is a special type of woman who does not obey anyone, is not like any other woman, but if everything described in the book is true, and all French women are just like that, then it turns out that they all live like a carbon copy. they are not phenomenal, but rather mediocre personalities.

The book is not super-genius, it will not make you think, but you can still find many interesting thoughts about love, life, work, style, and the secrets of beauty. I would like to write out some quotes. There are also several recipes. But there is no clear structure in the book. Continuous confusion. And the advice is sometimes rather strange, you just need to be able to treat them with a sense of humor.

Do not take this book too seriously as a scientific report. This is an entertaining reading for one evening, some of what you read will be remembered, something will be forgotten as soon as you close the book, but the book has a really wonderful atmosphere, thanks to which it seems that it was transported to France and talked to a Parisian woman. Light, casual, slightly goofy book. I can't say that I really liked it or remembered it, but it did not disappoint or annoy, it was quite interesting. But I will definitely not reread it. It cannot be called inspiring, but after reading it, I wanted to visit Paris!

Caroline de Maigret's activities are extensive: she is a mother, a writer (recently, together with her friends Anna Berest, Audrey Divon and Sophie Mars, she published the book "How to Feel Like a Parisian, Whoever You Are. Love, Style and Lifestyle" ), a talented music producer, actress, DJ and model with her come back history. She was born and raised in Paris, and from an early age became imbued with fashion and became a model, but she found her real vocation in music: she was even nominated for the prestigious French César Prize for music production. Despite the fact that de Maigret ended her career as a fashion model, the girl still remained an important guest at many shows and the heroine of street style blogs. And recently with the help of Karl Lagerfeld, Carolyn has returned to modeling, starring for Chanel, Louis Vuitton and becoming the face of Lancome.

Caroline de Maigret's style is very urban, simple and comfortable. Oversized coats, leather jackets, sheepskin coats - everything is as if taken from a man's shoulder. No fancy shades or bright prints. Rough and weighty fabrics do not weigh down her looks, Carolyn combines such things with light T-shirts or shirts, trousers.

Wide trousers and shirts are the main component of de Megre's style. The girl does not seek to emphasize her figure, but she also does not hide it behind completely baggy things - Carolyn knows how to harmoniously place accents. For example, for evening outings, de Megre unbuttons the buttons on the shirt, creating a deep neckline. And when choosing trousers or jeans, Carolyn prefers medium or high waist, basic fabrics and shades.

Choosing between heels or flat boots, de Megre will focus on the latter. According to her, she prefers the simplicity and comfort that she finds in chunky boots, oxfords, loafers or sneakers. If you do not know or are in doubt about the best way to wear men's shoes, study the images of the model.

Large bags are not about Carolyn. The minimum required fits into all sizes of clutches, small chain bags and small briefcases.

De Megre rarely dresses in dresses and skirts. Choosing feminine looks, Carolyn tries to adhere to the classic, muted colors, laconic styles, a minimum of prints and details.